Jerry Harty working at a flat-file cabinet in his glass studio

Process

Behind the Work

Explore the techniques, materials, and creative decisions behind each piece.

Kiln-Fused Glass

The Making of a Fish

This short studio film offers a glimpse into the making of one of my kiln-fused glass fish — from cutting and layering the glass to adding the details that give each one its own character. Fish have been a recurring part of my work for more than twenty years.

Printmaking — Gel Plate

The Reveal

Gel printing is a direct, painterly form of monotype. Paint, stencils, masks, and found textures are layered on a soft gel plate to build color and imagery. Since each pull is one of a kind, lifting the paper always brings a moment of discovery — the point where planning and surprise come together.

Rancho Mirage Gelplate Outdoors

Printmaking — Screen Printing

Building an Image, One Color at a Time

In screen printing, ink is pulled through a mesh screen and onto (usually, but not always) paper using a squeegee. Each color is printed separately, one carefully aligned layer at a time. As the layers build, simple shapes develop into bold compositions of color and pattern. The process can be repeated to create a small edition of prints.

Img 1096Img 1097Img 1098Img 1113Img 1129Img 1127

Printmaking — Cyanotype

Building Images with Sunlight

Cyanotype uses sunlight to expose chemically treated paper, then water to reveal its distinctive blue. I create my own printing plates by arranging hand-cut shapes, drawn marks, and found materials to block or filter the light. When the paper is rinsed, those assembled elements emerge as bold, layered images in shades of blue.

Cyanotype Developing TraysImg 0478Cyanotype Prints Drying OutdoorsCyanotype Man And Fish PrintImg 1302Img 0479